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Talkink on display

exhibitions, presentations and meetings , a journey into the culture at 360 °, also provide space for the comic. Catania March 24 to 28.

It started yesterday and runs until March 28 journey through the cultural review the ways of art, conceived by Akkuaria and already in its tenth edition. The event aims to promote the fundamental supply and artistic and cultural exchange, opening up different horizons of art and, specifically, of the arts . Not only that, the goal is to combine the beauty and value cultural exhibits, cities, and not just in Italy, home to this review from time to time. A combination that has been proposed in the decade, on the way cultural well-targeted.
journey through the ways of art, in fact, was started in 2001 in Catania, and in the years to follow, was held in the City of Roncegno Spa - Sand Terme (Trento), Torino, Cirie ( turin), Castel di Tusa (Messina), Cava dei Tirreni, Pagani (Salerno) Cavtat - Dubrovinik (Croatia). This project, as well as being aimed at the promotion of arts and ethnic cultures, is also devoted significant time solidarity between peoples and proposed meetings with various disciplines (dance, music, photography, painting, poetry, computer art) through exhibitions, debates, conferences, etc..

This year, with the return to Catania , it also opened a section devoted to comics , hosted, along with other exposures, the premises of the Palace of Culture .
"Art is the thread that cucirà a precious embroidery, set in the magnificent setting of the complex of the former convent of San Placido, a natural stage that will host the succession of appointments, part of the full program of this review. "This says Vera Amber, acting president of the association and organizer of the event.

space dedicated to the ninth art , All the colors of black and white , was prepared with the collaboration of Lupiae Comix , school biennial comic Lecce and semi Talkink .

On display will be in fact covers, illustrations and tables of rivista, realizzate sia da noti artisti che hanno voluto omaggiare il periodico in questi primi due anni di attività, sia di alcuni esordienti. Tra i primi, in particolare: Daniele Bigliardo , Ned Bajalica , Giovanni Freghieri , Enzo Rizzi , Enzo Troiano , Lele Vianello . Tra gli altri nomi, in esposizione tavole di: Mirella Menciassi , Marcello Solferino , Luca Esposito e Fabrizio Malerba .

The table is in the image of Lele Vianello.

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CineDAM, screening of "The Hurt Locker" winner of six Academy Awards


Il film è stato presentato in anteprima alla 65ª Mostra internazionale d'arte cinematografica di Venezia nel settembre 2008 ed è stato distribuito nelle sale italiane il 10 ottobre dello stesso anno con scarsi risultati at the box office.
In 2010 he won six Academy Awards: Best Original Screenplay, Best Editing, Best Sound, Best Sound Editing, Best Director and Best Picture.

40 days at the front in Iraq, a bomb squad and the U.S. military deminers, a special unit with a high mortality rate. When all that remains of his predecessor ends in a "box of pain", ready to return, head of the EOD (explosive unit for the disposal of) comes the blond William James, a man who has an incredible number of bombs defused and seems to know no fear of death. One that does not count the days, a volunteer who chose that job and it was left to absorb to the point of no return.

Within six years from K-19, Kathryn Bigelow returns to speak of war and dependence on the border several times-already-explored between courage and alienation. The story unfolds
straight and anxiety, as the walk of artifice in the suit, a real walk on the moon a dead man walking, there are the trappings of the genre - the soldier who is afraid, but the fisticuffs-alcoholic reduced to 'bone, and is the hero, David confronting the Goliath of the explosive with his bare hands, to whom we are led to believe that it has nothing to lose, but the opposite is true.
The image returns to the director of Iraq is not new and is certainly parziale, ma non è questo il punto. Quel che conta è il deserto dell'anima, il buio della guerra che s'avvicina e attira a sé un uomo intelligente (in grado di capire in pochi secondi il nemico che ha di fronte, il tipo di bomba) come il fuoco attira una falena.
Affidandosi alle cronache del reporter Mark Boal, la regista ha elaborato e raccontato un danno apparentemente collaterale ma in realtà sostanziale, entrando come mai prima nella questione di genere (il maschile). Chi dice che l'autrice è una donna che fa film da uomini, infatti, non dice tutto. In The Hurt Locker c'è un unico personaggio femminile, che occupa un numero insignificante di fotogrammi e una sola battuta del dialogo, eppure ne intuiamo subito la libertà, compresa la libera scelta di essere fedele ad un uomo che non c'è e non glielo chiede. Lo stesso uomo che ci viene mostrato, al contrario, schiavo del pericolo, dell'emozione forte a tutti i costi, di quell'immenso contenitore di alibi che è la guerra.

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Living Workshop Madness

Associazione Entropia
in collaborazione con
Cattivoteatro Cosenza
Presenta:

Workshop Living Follia

Laboratorio teatrale residenziale del Living Theatre Europa
dal 26 al 28 marzo in Calabria (Cosenza)

Lavoro di creazione collettiva basato sulle idee
di Antonin Artaud e R.D. Laing
liberamente ispirato al testo di Philip Dick “Follia per sette Clan” Directed by Loretta

Piacentino
director, actress and performer of the Living Theatre in Europe. The Living Theatre
Europe is working on her new show, part of the company will host these days in Calabria for a residential workshop aimed at a collective performance, the seminar will discuss the themes of inspiration to our latest work.
"We are immersed in a fairy tale anti-psychiatry" fools learn in this tale, once released from the system, to live with. We often hear the expression "mad world", "insane world." And then, if all the manifestations of the negative aspects of society (war, violence, crime, poverty, famine, lack of political commitment and community, isolation, alienation, pollution, etc ...) are considered normal, the social world is basically a sick world?
As Laing says the rest of normality does not exist, or is the product of an even greater madness, destructive or malignant, generated by the institutions or the repressive power of institutionalized power.
can therefore be considered a crazy person in a society insane?
meditate together on this.

Part I: Technique and physical training of 'actor
In this section, the working group will focus on discussion, demonstration and exercises. Some of the work will focus on heating body and voice through exercises and choral play, experiment and investigate the possibilities of each one to reach the group.
at this stage lay the groundwork for the next job.


Part II: Creating collective
Participants in the working group, through discussion, experimentation and improvisation, the creation of original texts, the use of dance, develop various scenes from the research and the politics of madness 'experience. Will be introduced texts and ideas of Artaud, RD Laing and Dick and other writers and writers on schizophrenia, the human alienation, the violence of institutions (and the movement anti-psychiatry), politics (and poetry) of interpersonal relationships.
All 'workshop activities will be supported based on a historical insights, watching movies and exclusive documents, presentations of research projects, discussion and analysis on the scope of artistic and political approach to the theater offered by Living.

For the Living Theatre you can not come to understand the basic meaning of the theater, without the existential encounter with the public, which is why the workshop will end with a performance result of collective work.
The schizophrenic, forever unhappy, indecisive, insecure, is able to find great ideas in his run through the endless possibilities being in every moment. Would want to live everything would be all, instead she finds herself condemned to eternal search of himself and of a truth that will never be more true of the next. Schizo .. it is better not to look into his eyes, you might miss. The fervor of some of his movements could drag you everywhere, if only in the middle of that passion, he does not believe it would stop, leaving you like a drowning, hanging on a delirious and comes without landing.

When: From 26 to 28 March 2010
Where: The workshop will be held at the facilities of the Multi-purpose Dam-Building-University of Calabria, Arcavacata di Rende (CS), Cosenza
Hours: Friday 26 from 10:00 to 13:00 / 14:00 to 19:00
Saturday 27 Sunday 28 by 10-13.00/14.00-19.00
10.13.00/14.00-19.00 by Sunday evening performance
final cost of the seminar: special price for students and for students who have attended workshops of the Living Theatre.

For info and contact: Loredana
Piacentino
mail: tel 3480602748 lorylo23@libero.it

www.myspace.com / loredana.piacentino
www.livingeuropa.org

Ernesto Orrico
mail: Ernesto Orrico@gmail.com
tel.3285357749